Black Walnut Vase

Black Walnut Vase

This little black walnut vase was the start of something new.

As I began tossing this piece around in my mind, I wanted to create a vase-like object that was a bit out of the ordinary. Four sides wouldn’t do,…. three was no good, and six was too many. So I settled on five. I wanted to see how the wood would react to my “hole drilling strategy,” so I didn’t want to make the vase too large if the process became too cumbersome. As it turned out, this vase stands 11 inches tall and took more than 50 hours to complete. I chose black walnut, a favorite of mine, because of its tight grain and deep luster when finished.

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Sycamore/Shagreen Dining Table

Designing the Dining Table

This was a fun piece to do. Very few guidelines were put before me, short of creating a dining table for eight and with a strip of shagreen down the center. So I took to the sketch pad and banged out some ideas. But before anything was built, I made a full size mock-up out of corrugated cardboard and took it to the apartment, just to confirm that it would fit. Rule 1 – assume nothing. As it turned out, it fit nicely.

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Cherry Box with a Black Walnut Lattice

Cherry Box with Black Walnut Lattice

I got this crazy idea one day and decided to make a Cherry Box with a Black Walnut Lattice. As a lover of nature, I like to study what passes before my eyes and sometimes dare to see if I can replicate mother nature’s beautiful creation in my workspace. Was the black walnut lattice meant to represent grapevines? Not really, it was just some kind of organic effect that only I would be crazy enough to attempt.

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Matching Pair of Serpentine Ebony Consoles

Macassar Ebony and Bronze Foyer Consoles

There’s nothing like seeing the beauty of a striking veneer when it’s gently bends over a curved form. In this case, I was given the opportunity by Penny Drue Baird to create a pair of serpentine consoles for the entrance of a Park Avenue residence in Manhattan. The homeowner actually requested 10 piece for their new space and these two consoles greet everyone as they step off the elevator.

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Black Walnut and Ebony Foyer Table

Edge Detail of Shapiro Table

I built this foyer table several years ago and had a blast doing it! The client who hired me lives on Park Avenue in Manhattan and together we came up with the design for this table. Basically, I designed and she approved. We’ve collaborated on many pieces over the years, including her dining room table which appeared in Architectural Digest (May 2011). I’ve also created more than a dozen pieces for her father and brother as well.

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Macassar Ebony and Faux Crocodile Skin Mini-Bar

I was asked to build a freestanding mini-bar for a client who spends her summers in Manhattan on Park Avenue and winters in Florida. My designer friend, Penny PennyDrueBaird.com provided some general directions, and then asked me to draw something up. So I pounced on it!

I’ve always wanted to work with solid ebony, but knowing the wood, soon realized that there were limits. Ebony comes from a small tree and the bar is almost six feet tall. Finding pieces long enough might have been problematic, but my supplier had a bin full of ebony boards. I enjoy sorting through stacks of lumber, especially boards from faraway places, thinking of the possibilities.

So with lumber in hand, I returned to my shop in Beacon and began the task of assigning different pieces of wood to different parts of the bar. What’s interesting about this project is that this minibar had to be built “inside out.” The interior walls, top and bottom were installed when the ebony frame was glued up. Then the lighting went in, followed by the faux crocodile exterior walls and finally the mirrored panels and glass shelves.

I’m especially proud of mirrored pull-out tray which acts as an additional work surface for the mini-bar. It hides behind the doors and glides in and out.

The doors, too, were very satisfying to build because the ebony edges “cap” the faux skin on the exterior and protect the mirrors on the inside. And they close with a satisfying “click.”

All in all, this was a very satisfying challenge to take on.

Palladium Leaf Vitrine

Ah, What Shall We Display in this Vitrine?

Palladium Vitrine Close-up

The Manhattan client my designer Trisha Reger http://TrishaReger.com was working for, has a beautiful apartment on Park Avenue with a spacious entrance. In this situation, I was asked to create a vitrine for displaying the decorative glass pieces the homeowner had found while traveling.

So after several months of tossing ideas around with Trisha, it was time to decide. While doing so, I had the following things to consider: Each side panel of glass would have to be tempered and held neatly in place. The access door on the front of the vitrine should look like all of the other sides and not draw attention to itself. Lighting had to be installed under each shelf and the wires concealed. Plus there had to be a transformer and a light switch to deal with….. The task really became a giant puzzle, but this is the kind of challenge I really enjoy.

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Deco Foyer Table

After so many years of building from the modified plans of others, I thought it was time to start looking inward and seeing what I could produce. This foyer table was my first effort, and meant to be the first in a line of many. The only limitation I placed on myself, was that I couldn’t purchase any new materials. I could only use what was in the shop. Kind of a cool challenge I thought.

Designing the Foyer Table

Tulip Shaped Foyer Table Profile

I love seeing gentle “S” curves in nature and want to reproduce them in my work. So I began by drawing the curved legs for this table over and over again until I found the right proportions and ended up with this tulip shape. What makes these legs unusual is that they are incredibly strong and won’t crack or break over time. The core of each is laminated poplar with solid walnut and veneer added to the exteriors.

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